The Hokkaido-born musician Noah has changed her constantly seen her sound evolving since the release of her 2015 album Sivutie. While she described it as "a sonic vision of a daydream scene,” 2019’s Thirty contained a mysterious, vapor-wave-like atmosphere that functioned as a gateway to Tokyo’s urban world. While also incorporating the delicious minimalism of 80's Hong Kong pop, Noah finally realized what she really wanted to express in the last few years.
Her rebellion against tradition/authority and her awareness of deep emotions like anger and sadness powered the creation of fascinating collection of songs. The EP featured a varied palette of sounds such as classical instruments like harp and strings, cut-up piano shreds, simple breakbeats, and four on the floor rhythms, creating an admirable balance of gothic and solemnity. Through her music, she was able to create a sightline into her unique worldview that is desolate yet, elegant. The poetry and choruses used in Noah's music open the door to other worlds, culminating in a sound that is both shimmering and elegant.
credits
released October 27, 2021
all tracks written & produced by Noah
mastered by Ryuta Mizkami
artwork by Yuto Kanke
Phantom Train and White Sands and…and…and…ok…shit…every Flippin’ track is a masterclass in how to write a track.
Like next-level George Winston.
Not just good.
Stupidgood. trnngthngs
Blacklight Chameleon voyages to the dark side of electronic music, writing songs full of tension and grim intensity. Bandcamp New & Notable Feb 12, 2021